Borges Our Contemporary
DOI:
https://doi.org/10.18485/beoiber.2024.8.2.11Apstrakt
Borges is an exemplary Argentine writer and also a great cosmopolitan belonging to the whole world. He dismissed narrow-minded nationalism and wrote with a free spirit that embraced the world without artificial divisions. Michel Foucault misread Borges’s invented “Chinese encyclopedia” as a symbol of the absolute Other, but Borges never saw China as an alien culture. Encyclopedia is a conceptual metaphor Borges used to describe the ambitious and heroic human effort at regulating and classifying all knowledge and things in the world, even though that effort eventually necessarily fails. Like the other failed classification systems in the West, that “Chinese encyclopedia” is part of the courageous human effort Borges described in several of his works. Instead of being obsessed with cultural differences, Borges put emphasis on affinities that would lead to a better and more peaceful future for humanity. Given the tension, conflict and regional wars we see in our world today, Borges’s advice to focus on our affinities and points of contact with all other human beings is particularly important.Reference
Borges, Jorge Luis. «The Analytical Language of John Wilkins.» Other Inquisitions, 1937-1952. Trans. Ruth Simmons. Austin: University of Texas Press, 1964a. 101-105. Print.
—. «Tlön, Uqbar, Orbis Tertius.» Labyrinths: Selected Stories & Other Writings. Eds. Donald A. Yates and James E. Irby. Trans. James E. Irby. New York: New Directions, 1964b. 3-18. Print.
—. «The Argentine Writer and Tradition.» Labyrinths: Selected Stories & Other Writings. Eds. Donald A. Yates and James E. Irby. Trans. James E. Irby. New York: New Directions, 1964c. 177-185. Print.
—. «The Wall and the Books.» Labyrinths: Selected Stories & Other Writings. Eds. Donald A. Yates and James E. Irby. Trans. James E. Irby. New York: New Directions, 1964d. 186-188. Print.
—. The Book of Sands. Trans. Norman Thomas di Giovanni. New York: E. P. Dutton, 1973a. Print.
—. Borges on Writing. Ed. di Giovanni, Daniel Halpern, and Frank MacShane. New York: E. P. Dutton, 1973b. Print.
—. «Facing the Year 1983.» Twenty-Four Conversations with Borges, Including a Selection of Poems. Trans. Nicomedes Suárez Araúz et al. Housatonic, Mass.: Lascaux Publishers, 1984. 11-16. Print.
Brook, Timothy. Vermeer’s Hat: The Seventeenth Century and the Dawn of the Global World. London: Profile Books, 2009. Print.
Díaz, Hernán. Borges, between History and Eternity. New York: Continuum, 2012. Print.
Eco, Umberto. The Search for the Perfect Language. Oxford: Wiley Blackwell, 1997. Print.
Foucault, Michel. The Order of Things: An Archaeology of the Human Sciences. New York: Vintage, 1973. Print.
Hubert, Rosario. «Sinology on the Edge: Borges’s Reviews of Chinese Literature (1937-1942).» Variaciones Borges 39 (2015): 81-101. Print.
King, John. «Editor’s Preface.» Beatriz Sarlo. Jorge Luis Borges: A Writer on the Edge. Ed. John King. London: Verso, 1993. vii-xviii. Print.
Ramsey, Rachel. «China and the Ideal of Order in John Webb’s An Historical Essay…» Journal of the History of Ideas 62.3 (July 2001): 483-503. Print.
Sarlo, Beatriz. Jorge Luis Borges: A Writer on the Edge. Ed. John King. London: Verso, 1993. Print.
Shaw, Donald L. Borges’ Narrative Strategy. Leeds: Francis Cairns, 1992. Print.
Webb, John. An Historical Essay Endeavoring a Probability That the Language Of the Empire of China is the Primitive Language. London: Printed for Nath. Brook, 1669. Print.
Zhang Longxi. «The Myth of the Other: China in the Eyes of the West.» Critical Inquiry 15.1 (Autumn 1988): 108-31. Print.
##submission.downloads##
Objavljeno
Kako citirati
Broj časopisa
Sekcija
Licenca
Sva prava zadržana (c) 2024 Longxi Zhang
Ovaj rad je pod Creative Commons Autorstvo-Deli pod istim uslovima 4.0 Internacionalna licenca.
Autori koji objavljuju u ovom časopisu pristaju na sledeće uslove:
- Autori zadržavaju autorska prava i pružaju časopisu pravo prvog objavljivanja rada i licenciraju ga pod okriljem Creative Commons Attribution-ShareAlike 4.0 International License koja omogućuje drugima da dele rad uz uslov navođenja autorstva i izvornog objavljivanja u ovom časopisu.
- Autori mogu da izrade zasebne, ugovorne aranžmane za ne-ekskluzivnu distribuciju rada objavljenog u časopisu (npr. postavljanje u institucionalni repozitorij ili objavljivanje u knjizi), uz navođenje da je rad izvorno objavljen u ovom časopisu.
- Autorima je dozvoljeno i podstiču se da postave objavljeni rad on-line (npr. u institucionalnom repozitoriju ili na svojim mrežnim stranicama) pre i tokom postupka prijave, s obzirom na to da takav postupak može voditi produktivnoj razmeni ideja, te ranijoj i većoj citiranosti objavljenog rada (up. The Effect of Open Access).